Full Online Books
Authors Authors Short Stories Short Stories Long Stories Long Stories Funny Stories Funny Stories Love Stories Love Stories Stories For Kids Stories For Kids Poems Poems Essays Essays Nonfictions Nonfictions Plays Plays Folktales Folktales Fairy Tales Fairy Tales Fables Fables Learning Kitchen Learning Kitchen
Valid XHTML 1.0 Transitional Free Classified Website Without Registration Free Classified Website Daniel Company
Twitter Twitter Add book
Full Online Book HomeLong StoriesNight And Day - Chapter 11
Famous Authors (View All Authors)
Night And Day - Chapter 11 Post by :profitop Category :Long Stories Author :Virginia Woolf Date :February 2011 Read :2716

Click below to download : Night And Day - Chapter 11 (Format : PDF)

Night And Day - Chapter 11

It's life that matters, nothing but life--the process of discovering,
the everlasting and perpetual process," said Katharine, as she passed
under the archway, and so into the wide space of King's Bench Walk,
"not the discovery itself at all." She spoke the last words looking up
at Rodney's windows, which were a semilucent red color, in her honor,
as she knew. He had asked her to tea with him. But she was in a mood
when it is almost physically disagreeable to interrupt the stride of
one's thought, and she walked up and down two or three times under the
trees before approaching his staircase. She liked getting hold of some
book which neither her father or mother had read, and keeping it to
herself, and gnawing its contents in privacy, and pondering the
meaning without sharing her thoughts with any one, or having to decide
whether the book was a good one or a bad one. This evening she had
twisted the words of Dostoevsky to suit her mood--a fatalistic mood--
to proclaim that the process of discovery was life, and that,
presumably, the nature of one's goal mattered not at all. She sat down
for a moment upon one of the seats; felt herself carried along in the
swirl of many things; decided, in her sudden way, that it was time to
heave all this thinking overboard, and rose, leaving a fishmonger's
basket on the seat behind her. Two minutes later her rap sounded with
authority upon Rodney's door.

"Well, William," she said, "I'm afraid I'm late."

It was true, but he was so glad to see her that he forgot his
annoyance. He had been occupied for over an hour in making things
ready for her, and he now had his reward in seeing her look right and
left, as she slipped her cloak from her shoulders, with evident
satisfaction, although she said nothing. He had seen that the fire
burnt well; jam-pots were on the table, tin covers shone in the
fender, and the shabby comfort of the room was extreme. He was dressed
in his old crimson dressing-gown, which was faded irregularly, and had
bright new patches on it, like the paler grass which one finds on
lifting a stone. He made the tea, and Katharine drew off her gloves,
and crossed her legs with a gesture that was rather masculine in its
ease. Nor did they talk much until they were smoking cigarettes over
the fire, having placed their teacups upon the floor between them.

They had not met since they had exchanged letters about their
relationship. Katharine's answer to his protestation had been short
and sensible. Half a sheet of notepaper contained the whole of it, for
she merely had to say that she was not in love with him, and so could
not marry him, but their friendship would continue, she hoped,
unchanged. She had added a postscript in which she stated, "I like
your sonnet very much."

So far as William was concerned, this appearance of ease was assumed.
Three times that afternoon he had dressed himself in a tail-coat, and
three times he had discarded it for an old dressing-gown; three times
he had placed his pearl tie-pin in position, and three times he had
removed it again, the little looking-glass in his room being the
witness of these changes of mind. The question was, which would
Katharine prefer on this particular afternoon in December? He read her
note once more, and the postscript about the sonnet settled the
matter. Evidently she admired most the poet in him; and as this, on
the whole, agreed with his own opinion, he decided to err, if
anything, on the side of shabbiness. His demeanor was also regulated
with premeditation; he spoke little, and only on impersonal matters;
he wished her to realize that in visiting him for the first time alone
she was doing nothing remarkable, although, in fact, that was a point
about which he was not at all sure.

Certainly Katharine seemed quite unmoved by any disturbing thoughts;
and if he had been completely master of himself, he might, indeed,
have complained that she was a trifle absent-minded. The ease, the
familiarity of the situation alone with Rodney, among teacups and
candles, had more effect upon her than was apparent. She asked to look
at his books, and then at his pictures. It was while she held
photograph from the Greek in her hands that she exclaimed,
impulsively, if incongruously:

"My oysters! I had a basket," she explained, "and I've left it
somewhere. Uncle Dudley dines with us to-night. What in the world have
I done with them?"

She rose and began to wander about the room. William rose also, and
stood in front of the fire, muttering, "Oysters, oysters--your basket
of oysters!" but though he looked vaguely here and there, as if the
oysters might be on the top of the bookshelf, his eyes returned always
to Katharine. She drew the curtain and looked out among the scanty
leaves of the plane-trees.

"I had them," she calculated, "in the Strand; I sat on a seat. Well,
never mind," she concluded, turning back into the room abruptly, "I
dare say some old creature is enjoying them by this time."

"I should have thought that you never forgot anything," William
remarked, as they settled down again.

"That's part of the myth about me, I know," Katharine replied.

"And I wonder," William proceeded, with some caution, "what the truth
about you is? But I know this sort of thing doesn't interest you," he
added hastily, with a touch of peevishness.

"No; it doesn't interest me very much," she replied candidly.

"What shall we talk about then?" he asked.

She looked rather whimsically round the walls of the room.

"However we start, we end by talking about the same thing--about
poetry, I mean. I wonder if you realize, William, that I've never read
even Shakespeare? It's rather wonderful how I've kept it up all these

"You've kept it up for ten years very beautifully, as far as I'm
concerned," he said.

"Ten years? So long as that?"

"And I don't think it's always bored you," he added.

She looked into the fire silently. She could not deny that the surface
of her feeling was absolutely unruffled by anything in William's
character; on the contrary, she felt certain that she could deal with
whatever turned up. He gave her peace, in which she could think of
things that were far removed from what they talked about. Even now,
when he sat within a yard of her, how easily her mind ranged hither
and thither! Suddenly a picture presented itself before her, without
any effort on her part as pictures will, of herself in these very
rooms; she had come in from a lecture, and she held a pile of books in
her hand, scientific books, and books about mathematics and astronomy
which she had mastered. She put them down on the table over there. It
was a picture plucked from her life two or three years hence, when she
was married to William; but here she checked herself abruptly.

She could not entirely forget William's presence, because, in spite of
his efforts to control himself, his nervousness was apparent. On such
occasions his eyes protruded more than ever, and his face had more
than ever the appearance of being covered with a thin crackling skin,
through which every flush of his volatile blood showed itself
instantly. By this time he had shaped so many sentences and rejected
them, felt so many impulses and subdued them, that he was a uniform

"You may say you don't read books," he remarked, "but, all the same,
you know about them. Besides, who wants you to be learned? Leave that
to the poor devils who've got nothing better to do. You--you--ahem!--"

"Well, then, why don't you read me something before I go?" said
Katharine, looking at her watch.

"Katharine, you've only just come! Let me see now, what have I got to
show you?" He rose, and stirred about the papers on his table, as if
in doubt; he then picked up a manuscript, and after spreading it
smoothly upon his knee, he looked up at Katharine suspiciously. He
caught her smiling.

"I believe you only ask me to read out of kindness," he burst out.
"Let's find something else to talk about. Who have you been seeing?"

"I don't generally ask things out of kindness," Katharine observed;
"however, if you don't want to read, you needn't."

William gave a queer snort of exasperation, and opened his manuscript
once more, though he kept his eyes upon her face as he did so. No face
could have been graver or more judicial.

"One can trust you, certainly, to say unpleasant things," he said,
smoothing out the page, clearing his throat, and reading half a stanza
to himself. "Ahem! The Princess is lost in the wood, and she hears the
sound of a horn. (This would all be very pretty on the stage, but I
can't get the effect here.) Anyhow, Sylvano enters, accompanied by the
rest of the gentlemen of Gratian's court. I begin where he
soliloquizes." He jerked his head and began to read.

Although Katharine had just disclaimed any knowledge of literature,
she listened attentively. At least, she listened to the first twenty-
five lines attentively, and then she frowned. Her attention was only
aroused again when Rodney raised his finger--a sign, she knew, that
the meter was about to change.

His theory was that every mood has its meter. His mastery of meters
was very great; and, if the beauty of a drama depended upon the
variety of measures in which the personages speak, Rodney's plays must
have challenged the works of Shakespeare. Katharine's ignorance of
Shakespeare did not prevent her from feeling fairly certain that plays
should not produce a sense of chill stupor in the audience, such as
overcame her as the lines flowed on, sometimes long and sometimes
short, but always delivered with the same lilt of voice, which seemed
to nail each line firmly on to the same spot in the hearer's brain.
Still, she reflected, these sorts of skill are almost exclusively
masculine; women neither practice them nor know how to value them; and
one's husband's proficiency in this direction might legitimately
increase one's respect for him, since mystification is no bad basis
for respect. No one could doubt that William was a scholar. The
reading ended with the finish of the Act; Katharine had prepared a
little speech.

"That seems to me extremely well written, William; although, of
course, I don't know enough to criticize in detail."

"But it's the skill that strikes you--not the emotion?"

"In a fragment like that, of course, the skill strikes one most."

"But perhaps--have you time to listen to one more short piece? the
scene between the lovers? There's some real feeling in that, I think.
Denham agrees that it's the best thing I've done."

"You've read it to Ralph Denham?" Katharine inquired, with surprise.
"He's a better judge than I am. What did he say?"

"My dear Katharine," Rodney exclaimed, "I don't ask you for criticism,
as I should ask a scholar. I dare say there are only five men in
England whose opinion of my work matters a straw to me. But I trust
you where feeling is concerned. I had you in my mind often when I was
writing those scenes. I kept asking myself, 'Now is this the sort of
thing Katharine would like?' I always think of you when I'm writing,
Katharine, even when it's the sort of thing you wouldn't know about.
And I'd rather--yes, I really believe I'd rather--you thought well of
my writing than any one in the world."

This was so genuine a tribute to his trust in her that Katharine was

"You think too much of me altogether, William," she said, forgetting
that she had not meant to speak in this way.

"No, Katharine, I don't," he replied, replacing his manuscript in the
drawer. "It does me good to think of you."

So quiet an answer, followed as it was by no expression of love, but
merely by the statement that if she must go he would take her to the
Strand, and would, if she could wait a moment, change his dressing-
gown for a coat, moved her to the warmest feeling of affection for him
that she had yet experienced. While he changed in the next room, she
stood by the bookcase, taking down books and opening them, but reading
nothing on their pages.

She felt certain that she would marry Rodney. How could one avoid it?
How could one find fault with it? Here she sighed, and, putting the
thought of marriage away, fell into a dream state, in which she became
another person, and the whole world seemed changed. Being a frequent
visitor to that world, she could find her way there unhesitatingly. If
she had tried to analyze her impressions, she would have said that
there dwelt the realities of the appearances which figure in our
world; so direct, powerful, and unimpeded were her sensations there,
compared with those called forth in actual life. There dwelt the
things one might have felt, had there been cause; the perfect
happiness of which here we taste the fragment; the beauty seen here in
flying glimpses only. No doubt much of the furniture of this world was
drawn directly from the past, and even from the England of the
Elizabethan age. However the embellishment of this imaginary world
might change, two qualities were constant in it. It was a place where
feelings were liberated from the constraint which the real world puts
upon them; and the process of awakenment was always marked by
resignation and a kind of stoical acceptance of facts. She met no
acquaintance there, as Denham did, miraculously transfigured; she
played no heroic part. But there certainly she loved some magnanimous
hero, and as they swept together among the leaf-hung trees of an
unknown world, they shared the feelings which came fresh and fast as
the waves on the shore. But the sands of her liberation were running
fast; even through the forest branches came sounds of Rodney moving
things on his dressing-table; and Katharine woke herself from this
excursion by shutting the cover of the book she was holding, and
replacing it in the bookshelf.

"William," she said, speaking rather faintly at first, like one
sending a voice from sleep to reach the living. "William," she
repeated firmly, "if you still want me to marry you, I will."

Perhaps it was that no man could expect to have the most momentous
question of his life settled in a voice so level, so toneless, so
devoid of joy or energy. At any rate William made no answer. She
waited stoically. A moment later he stepped briskly from his
dressing-room, and observed that if she wanted to buy more oysters he
thought he knew where they could find a fishmonger's shop still open.
She breathed deeply a sigh of relief.

Extract from a letter sent a few days later by Mrs. Hilbery to her
sister-in-law, Mrs. Milvain:

" . . . How stupid of me to forget the name in my telegram. Such a
nice, rich, English name, too, and, in addition, he has all the graces
of intellect; he has read literally EVERYTHING. I tell Katharine, I
shall always put him on my right side at dinner, so as to have him by
me when people begin talking about characters in Shakespeare. They
won't be rich, but they'll be very, very happy. I was sitting in my
room late one night, feeling that nothing nice would ever happen to me
again, when I heard Katharine outside in the passage, and I thought to
myself, 'Shall I call her in?' and then I thought (in that hopeless,
dreary way one does think, with the fire going out and one's birthday
just over), 'Why should I lay my troubles on HER?' But my little self-
control had its reward, for next moment she tapped at the door and
came in, and sat on the rug, and though we neither of us said
anything, I felt so happy all of a second that I couldn't help crying,
'Oh, Katharine, when you come to my age, how I hope you'll have a
daughter, too!' You know how silent Katharine is. She was so silent,
for such a long time, that in my foolish, nervous state I dreaded
something, I don't quite know what. And then she told me how, after
all, she had made up her mind. She had written. She expected him
to-morrow. At first I wasn't glad at all. I didn't want her to marry
any one; but when she said, 'It will make no difference. I shall
always care for you and father most,' then I saw how selfish I was,
and I told her she must give him everything, everything, everything! I
told her I should be thankful to come second. But why, when
everything's turned out just as one always hoped it would turn out,
why then can one do nothing but cry, nothing but feel a desolate old
woman whose life's been a failure, and now is nearly over, and age is
so cruel? But Katharine said to me, 'I am happy. I'm very happy.' And
then I thought, though it all seemed so desperately dismal at the
time, Katharine had said she was happy, and I should have a son, and
it would all turn out so much more wonderfully than I could possibly
imagine, for though the sermons don't say so, I do believe the world
is meant for us to be happy in. She told me that they would live quite
near us, and see us every day; and she would go on with the Life, and
we should finish it as we had meant to. And, after all, it would be
far more horrid if she didn't marry--or suppose she married some one
we couldn't endure? Suppose she had fallen in love with some one who
was married already?

"And though one never thinks any one good enough for the people one's
fond of, he has the kindest, truest instincts, I'm sure, and though he
seems nervous and his manner is not commanding, I only think these
things because it's Katharine. And now I've written this, it comes
over me that, of course, all the time, Katharine has what he hasn't.
She does command, she isn't nervous; it comes naturally to her to rule
and control. It's time that she should give all this to some one who
will need her when we aren't there, save in our spirits, for whatever
people say, I'm sure I shall come back to this wonderful world where
one's been so happy and so miserable, where, even now, I seem to see
myself stretching out my hands for another present from the great
Fairy Tree whose boughs are still hung with enchanting toys, though
they are rarer now, perhaps, and between the branches one sees no
longer the blue sky, but the stars and the tops of the mountains.

"One doesn't know any more, does one? One hasn't any advice to give
one's children. One can only hope that they will have the same vision
and the same power to believe, without which life would be so
meaningless. That is what I ask for Katharine and her husband."

If you like this book please share to your friends :

Night And Day - Chapter 12 Night And Day - Chapter 12

Night And Day - Chapter 12
Is Mr. Hilbery at home, or Mrs. Hilbery?" Denham asked, of the parlor-maid in Chelsea, a week later."No, sir. But Miss Hilbery is at home," the girl answered.Ralph had anticipated many answers, but not this one, and now it wasunexpectedly made plain to him that it was the chance of seeingKatharine that had brought him all the way to Chelsea on pretence ofseeing her father.He made some show of considering the matter, and was taken upstairs tothe drawing-room. As upon that first occasion, some weeks ago, thedoor closed as if it were a thousand doors softly excluding the world;and once more

Night And Day - Chapter 10 Night And Day - Chapter 10

Night And Day - Chapter 10
Messrs. Grateley and Hooper, the solicitors in whose firm Ralph Denhamwas clerk, had their office in Lincoln's Inn Fields, and there RalphDenham appeared every morning very punctually at ten o'clock. Hispunctuality, together with other qualities, marked him out among theclerks for success, and indeed it would have been safe to wager thatin ten years' time or so one would find him at the head of hisprofession, had it not been for a peculiarity which sometimes seemedto make everything about him uncertain and perilous. His sister Joanhad already been disturbed by his love of gambling with his savings.Scrutinizing him constantly with the