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Full Online Book HomeLong StoriesThe Three Cities Trilogy: Rome - Part 4 - Chapter 11 (cont.)
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The Three Cities Trilogy: Rome - Part 4 - Chapter 11 (cont.) Post by :alan57 Category :Long Stories Author :Emile Zola Date :May 2012 Read :2837

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The Three Cities Trilogy: Rome - Part 4 - Chapter 11 (cont.)


On either side of the road the Campagna still and ever spread its expanse of verdure, and Prada, who had become grave and dreamy, gazed before him without seeing anything. At last, however, he gave expression to his thoughts. "You know, Abbe, what will be said if the Pope should die this time. That sudden illness, those colics, those refusals to make any information public, mean nothing good--Yes, yes, poison, just as for the others!"

Pierre gave a start of stupefaction. The Pope poisoned! "What! Poison? Again?" he exclaimed as he gazed at his companions with dilated eyes. Poison at the end of the nineteenth century, as in the days of the Borgias, as on the stage in a romanticist melodrama! To him the idea appeared both monstrous and ridiculous.

Santobono, whose features had become motionless and impenetrable, made no reply. But Prada nodded, and the conversation was henceforth confined to him and the young priest. "Why, yes, poison," he replied. "The fear of it has remained very great in Rome. Whenever a death seems inexplicable, either by reason of its suddenness or the tragic circumstances which attend it, the unanimous thought is poison. And remark this: in no city, I believe, are sudden deaths so frequent. The causes I don't exactly know, but some doctors put everything down to the fevers. Among the people, however, the one thought is poison, poison with all its legends, poison which kills like lightning and leaves no trace, the famous recipe bequeathed from age to age, through the emperors and the popes, down to these present times of middle-class democracy."

As he spoke he ended by smiling, for he was inclined to be somewhat sceptical on the point, despite the covert terror with which he was inspired by racial and educational causes. However, he quoted instances. The Roman matrons had rid themselves of their husbands and lovers by employing the venom of red toads. Locusta, in a more practical spirit, sought poison in plants, one of which, probably aconite, she was wont to boil. Then, long afterwards, came the age of the Borgias, and subsequently, at Naples, La Toffana sold a famous water, doubtless some preparation of arsenic, in phials decorated with a representation of St. Nicholas of Bari. There were also extraordinary stories of pins, a prick from which killed one like lightning, of cups of wine poisoned by the infusion of rose petals, of woodcocks cut in half with prepared knives, which poisoned but one-half of the bird, so that he who partook of that half was killed. "I myself, in my younger days," continued Prada, "had a friend whose bride fell dead in church during the marriage service through simply inhaling a bouquet of flowers. And so isn't it possible that the famous recipe may really have been handed down, and have remained known to a few adepts?"

"But chemistry has made too much progress," Pierre replied. "If mysterious poisons were believed in by the ancients and remained undetected in their time it was because there were no means of analysis. But the drug of the Borgias would now lead the simpleton who might employ it straight to the Assizes. Such stories are mere nonsense, and at the present day people scarcely tolerate them in newspaper serials and shockers."

"Perhaps so," resumed the Count with his uneasy smile. "You are right, no doubt--only go and tell that to your host, for instance, Cardinal Boccanera, who last summer held in his arms an old and deeply-loved friend, Monsignor Gallo, who died after a seizure of a couple of hours."

"But apoplexy may kill one in two hours, and aneurism only takes two minutes."

"True, but ask the Cardinal what he thought of his friend's prolonged shudders, the leaden hue which overcame his face, the sinking of his eyes, and the expression of terror which made him quite unrecognisable. The Cardinal is convinced that Monsignor Gallo was poisoned, because he was his dearest confidant, the counsellor to whom he always listened, and whose wise advice was a guarantee of success."

Pierre's bewilderment was increasing, and, irritated by the impassibility of Santobono, he addressed him direct. "It's idiotic, it's awful! Does your reverence also believe in these frightful stories?"

But the priest of Frascati gave no sign. His thick, passionate lips remained closed while his black glowing eyes never ceased to gaze at Prada. The latter, moreover, was quoting other instances. There was the case of Monsignor Nazzarelli, who had been found in bed, shrunken and calcined like carbon. And there was that of Monsignor Brando, struck down in his sacerdotal vestments at St. Peter's itself, in the very sacristy, during vespers!

"Ah! /Mon Dieu/!" sighed Pierre, "you will tell me so much that I myself shall end by trembling, and sha'n't dare to eat anything but boiled eggs as long as I stay in this terrible Rome of yours."

For a moment this whimsical reply enlivened both the Count and Pierre. But it was quite true that their conversation showed Rome under a terrible aspect, for it conjured up the Eternal City of Crime, the city of poison and the knife, where for more than two thousand years, ever since the raising of the first bit of wall, the lust of power, the frantic hunger for possession and enjoyment, had armed men's hands, ensanguined the pavements, and cast victims into the river and the ground. Assassinations and poisonings under the emperors, poisonings and assassinations under the popes, ever did the same torrent of abominations strew that tragic soil with death amidst the sovereign glory of the sun.

"All the same," said the Count, "those who take precautions are perhaps not ill advised. It is said that more than one cardinal shudders and mistrusts people. One whom I know will never eat anything that has not been bought and prepared by his own cook. And as for the Pope, if he is anxious--"

Pierre again raised a cry of stupefaction. "What, the Pope himself! The Pope afraid of being poisoned!"

"Well, my dear Abbe, people commonly assert it. There are certainly days when he considers himself more menaced than anybody else. And are you not aware of the old Roman view that a pope ought never to live till too great an age, and that when he is so obstinate as not to die at the right time he ought to be assisted? As soon as a pope begins to fall into second childhood, and by reason of his senility becomes a source of embarrassment, and possibly even danger, to the Church, his right place is heaven. Moreover, matters are managed in a discreet manner; a slight cold becomes a decent pretext to prevent him from tarrying any longer on the throne of St. Peter."

Prada then gave some curious details. One prelate, it was said, wishing to dispel his Holiness's fears, had devised an elaborate precautionary system which, among other things, was to comprise a little padlocked vehicle, in which the food destined for the frugal pontifical table was to be securely placed before leaving the kitchen, so that it might not be tampered with on its way to the Pope's apartments. However, this project had not yet been carried into effect.

"After all," the Count concluded with a laugh, "every pope has to die some day, especially when his death is needful for the welfare of the Church. Isn't that so, Abbe?"

Santobono, whom he addressed, had a moment previously lowered his eyes as if to contemplate the little basket of figs which he held on his lap with as much care as if it had been the Blessed Sacrament. On being questioned in such a direct, sharp fashion he could not do otherwise than look up. However, he did not depart from his prolonged silence, but limited his answer to a slow nod.

"And it is God alone, and not poison, who causes one to die. Is that not so, Abbe?" repeated Prada. "It is said that those were the last words of poor Monsignor Gallo before he expired in the arms of his friend Cardinal Boccanera."

For the second time Santobono nodded without speaking. And then silence fell, all three sinking into a dreamy mood.

Meantime, without a pause, the carriage rolled on across the immensity of the Campagna. The road, straight as an arrow, seemed to extend into the infinite. As the sun descended towards the horizon the play of light and shade became more marked on the broad undulations of the ground which stretched away, alternately of a pinky green and a violet grey, till they reached the distant fringe of the sky. At the roadside on either hand there were still and ever tall withered thistles and giant fennel with yellow umbels. Then, after a time, came a team of four oxen, that had been kept ploughing until late, and stood forth black and huge in the pale atmosphere and mournful solitude. Farther on some flocks of sheep, whence the breeze wafted a tallowy odour, set patches of brown amidst the herbage, which once more was becoming verdant; whilst at intervals a dog was heard to bark, his voice the only distinct sound amidst the low quivering of that silent desert where the sovereign peacefulness of death seemed to reign. But all at once a light melody arose and some larks flew up, one of them soaring into the limpid golden heavens. And ahead, at the far extremity of the pure sky, Rome, with her towers and domes, grew larger and larger, like a city of white marble springing from a mirage amidst the greenery of some enchanted garden.

"Matteo!" Prada called to his coachman, "pull up at the Osteria Romana." And to his companions he added: "Pray excuse me, but I want to see if I can get some new-laid eggs for my father. He is so fond of them."

A few minutes afterwards the carriage stopped. At the very edge of the road stood a primitive sort of inn, bearing the proud and sonorous name of "Antica Osteria Romana." It had now become a mere house of call for carters and chance sportsmen, who ventured to drink a flagon of white wine whilst eating an omelet and a slice of ham. Occasionally, on Sundays, some of the humble classes would walk over from Rome and make merry there; but the week days often went by without a soul entering the place, such was its isolation amidst the bare Campagna.

The Count was already springing from the carriage. "I shall only be a minute," said he as he turned away.

The /osteria/ was a long, low pile with a ground floor and one upper storey, the last being reached by an outdoor stairway built of large blocks of stone which had been scorched by the hot suns. The entire place, indeed, was corroded, tinged with the hue of old gold. On the ground floor one found a common room, a cart-house, and a stable with adjoining sheds. At one side, near a cluster of parasol pines--the only trees that could grow in that ungrateful soil--there was an arbour of reeds where five or six rough wooden tables were set out. And, as a background to this sorry, mournful nook of life, there arose a fragment of an ancient aqueduct whose arches, half fallen and opening on to space, alone interrupted the flat line of the horizon.

All at once, however, the Count retraced his steps, and, addressing Santobono, exclaimed: "I say, Abbe, you'll surely accept a glass of white wine. I know that you are a bit of a vine grower, and they have a little white wine here which you ought to make acquaintance with."

Santobono again required no pressing, but quietly alighted. "Oh! I know it," said he; "it's a wine from Marino; it's grown in a lighter soil than ours at Frascati."

Then, as he would not relax his hold on his basket of figs, but even now carried it along with him, the Count lost patience. "Come, you don't want that basket," said he; "leave it in the carriage."

The priest gave no reply, but walked ahead, whilst Pierre also made up his mind to descend from the carriage in order to see what a suburban /osteria/ was like. Prada was known at this place, and an old woman, tall, withered, but looking quite queenly in her wretched garments, had at once presented herself. On the last occasion when the Count had called she had managed to find half a dozen eggs. This time she said she would go to see, but could promise nothing, for the hens laid here and there all over the place, and she could never tell what eggs there might be.

"All right!" Prada answered, "go and look; and meantime we will have a /caraffa/ of white wine."

The three men entered the common room, which was already quite dark. Although the hot weather was now over, one heard the buzzing of innumerable flies immediately one reached the threshold, and a pungent odour of acidulous wine and rancid oil caught one at the throat. As soon as their eyes became accustomed to the dimness they were able to distinguish the spacious, blackened, malodorous chamber, whose only furniture consisted of some roughly made tables and benches. It seemed to be quite empty, so complete was the silence, apart from the buzz of the flies. However, two men were seated there, two wayfarers who remained mute and motionless before their untouched, brimming glasses. Moreover, on a low chair near the door, in the little light which penetrated from without, a thin, sallow girl, the daughter of the house, sat idle, trembling with fever, her hands close pressed between her knees.

Realising that Pierre felt uncomfortable there, the Count proposed that they should drink their wine outside. "We shall be better out of doors," said he, "it's so very in mild this evening."

Accordingly, whilst the mother looked for the eggs, and the father mended a wheel in an adjacent shed, the daughter was obliged to get up shivering to carry the flagon of wine and the three glasses to the arbour, where she placed them on one of the tables. And, having pocketed the price of the wine--threepence--in silence, she went back to her seat with a sullen look, as if annoyed at having been compelled to make such a long journey. Meanwhile the three men had sat down, and Prada gaily filled each of the glasses, although Pierre declared that he was quite unable to drink wine between his meals. "Pooh, pooh," said the Count, "you can always clink glasses with us. And now, Abbe, isn't this little wine droll? Come, here's to the Pope's better health, since he's unwell!"

Santobono at one gulp emptied his glass and clacked his tongue. With gentle, paternal care he had deposited his basket on the ground beside him: and, taking off his hat, he drew a long breath. The evening was really delightful. A superb sky of a soft golden hue stretched over that endless sea of the Campagna which was soon to fall asleep with sovereign quiescence. And the light breeze which went by amidst the deep silence brought with it an exquisite odour of wild herbs and flowers.

"How pleasant it is!" muttered Pierre, affected by the surrounding charm. "And what a desert for eternal rest, forgetfulness of all the world!"

Prada, who had emptied the flagon by filling Santobono's glass a second time, made no reply; he was silently amusing himself with an occurrence which at first he was the only one to observe. However, with a merry expression of complicity, he gave the young priest a wink, and then they both watched the dramatic incidents of the affair. Some scraggy fowls were wandering round them searching the yellow turf for grasshoppers; and one of these birds, a little shiny black hen with an impudent manner, had caught sight of the basket of figs and was boldly approaching it. When she got near, however, she took fright, and retreated somewhat, with neck stiffened and head turned, so as to cast suspicious glances at the basket with her round sparkling eye. But at last covetousness gained the victory, for she could see one of the figs between the leaves, and so she slowly advanced, lifting her feet very high at each step; and, all at once, stretching out her neck, she gave the fig a formidable peck, which ripped it open and made the juice exude.

Prada, who felt as happy as a child, was then able to give vent to the laughter which he had scarcely been able to restrain: "Look out, Abbe," he called, "mind your figs!"

At that very moment Santobono was finishing his second glass of wine with his head thrown back and his eyes blissfully raised to heaven. He gave a start, looked round, and on seeing the hen at once understood the position. And then came a terrible outburst of anger, with sweeping gestures and terrible invectives. But the hen, who was again pecking, would not be denied; she dug her beak into the fig and carried it off, flapping her wings, so quick and so comical that Prada, and Pierre as well, laughed till tears came into their eyes, their merriment increasing at sight of the impotent fury of Santobono, who, for a moment, pursued the thief, threatening her with his fist.

"Ah!" said the Count, "that's what comes of not leaving the basket in the carriage. If I hadn't warned you the hen would have eaten all the figs."

The priest did not reply, but, growling out vague imprecations, placed the basket on the table, where he raised the leaves and artistically rearranged the fruit so as to fill up the void. Then, the harm having been repaired as far as was possible, he at last calmed down.

It was now time for them to resume their journey, for the sun was sinking towards the horizon, and night would soon fall. Thus the Count ended by getting impatient. "Well, and those eggs?" he called.

Then, as the woman did not return, he went to seek her. He entered the stable, and afterwards the cart-house, but she was neither here nor there. Next he went towards the rear of the /osteria/ in order to look in the sheds. But all at once an unexpected spectacle made him stop short. The little black hen was lying on the ground, dead, killed as by lightning. She showed no sign of hurt; there was nothing but a little streamlet of violet blood still trickling from her beak. Prada was at first merely astonished. He stooped and touched the hen. She was still warm and soft like a rag. Doubtless some apoplectic stroke had killed her. But immediately afterwards he became fearfully pale; the truth appeared to him, and turned him as cold as ice. In a moment he conjured up everything: Leo XIII attacked by illness, Santobono hurrying to Cardinal Sanguinetti for tidings, and then starting for Rome to present a basket of figs to Cardinal Boccanera. And Prada also remembered the conversation in the carriage: the possibility of the Pope's demise, the candidates for the tiara, the legendary stories of poison which still fostered terror in and around the Vatican; and he once more saw the priest, with his little basket on his knees, lavishing paternal attention on it, and he saw the little black hen pecking at the fruit and fleeing with a fig on her beak. And now that little black hen lay there, suddenly struck down, dead!

His conviction was immediate and absolute. But he did not have time to decide what course he should take, for a voice behind him exclaimed: "Why, it's the little hen; what's the matter with her?"

The voice was that of Pierre, who, letting Santobono climb into the carriage alone, had in his turn come round to the rear of the house in order to obtain a better view of the ruined aqueduct among the parasol pines.

Prada, who shuddered as if he himself were the culprit, answered him with a lie, a lie which he did not premeditate, but to which he was impelled by a sort of instinct. "But she's dead," he said. . . . "Just fancy, there was a fight. At the moment when I got here that other hen, which you see yonder, sprang upon this one to get the fig, which she was still holding, and with a thrust of the beak split her head open. . . . The blood's flowing, as you can see yourself."

Why did he say these things? He himself was astonished at them whilst he went on inventing them. Was it then that he wished to remain master of the situation, keep the abominable secret entirely to himself, in order that he might afterwards act in accordance with his own desires? Certainly his feelings partook of shame and embarrassment in presence of that foreigner, whilst his personal inclination for violence set some admiration amidst the revolt of his conscience, and a covert desire arose within him to examine the matter from the standpoint of his interests before he came to a decision. But, on the other hand, he claimed to be a man of integrity, and would assuredly not allow people to be poisoned.

Pierre, who was compassionately inclined towards all creation, looked at the hen with the emotion which he always felt at the sudden severance of life. However, he at once accepted Prada's story. "Ah! those fowls!" said he. "They treat one another with an idiotic ferocity which even men can scarcely equal. I kept fowls at home at one time, and one of the hens no sooner hurt her leg than all the others, on seeing the blood oozing, would flock round and peck at the limb till they stripped it to the bone."

Prada, however, did not listen, but at once went off; and it so happened that the woman was, on her side, looking for him in order to hand him four eggs which, after a deal of searching, she had discovered in odd corners about the house. The Count made haste to pay for them, and called to Pierre, who was lingering behind: "We must look sharp! We sha'n't reach Rome now until it is quite dark."

They found Santobono quietly waiting in the carriage, where he had again installed himself on the bracket with his spine resting against the box-seat and his long legs drawn back under him, and he again had the little basket of figs on his knees, and clasped it with his big knotty hands as though it were something fragile and rare which the slightest jolting might damage. His cassock showed like a huge blot, and in his coarse ashen face, that of a peasant yet near to the wild soil and but slightly polished by a few years of theological studies, his eyes alone seemed to live, glowing with the dark flame of a devouring passion. On seeing him seated there in such composure Prada could not restrain a slight shudder. Then, as soon as the victoria was again rolling along the road, he exclaimed: "Well, Abbe, that glass of wine will guarantee us against the malaria. The Pope would soon be cured if he could imitate our example."

Santobono's only reply was a growl. He was in no mood for conversation, but wrapped himself in perfect silence, as in the night which was slowly falling. And Prada in his turn ceased to speak, and, with his eyes still fixed upon the other, reflected on the course that he should follow.

The road turned, and then the carriage rolled on and on over another interminable straight highway with white paving, whose brilliancy made the road look like a ribbon of snow stretching across the Campagna, where delicate shadows were slowly falling. Gloom gathered in the hollows of the broad undulations whence a tide of violet hue seemed to spread over the short herbage until all mingled and the expanse became an indistinct swell of neutral hue from one to the other horizon. And the solitude was now yet more complete; a last indolent cart had gone by and a last tinkling of horses' bells had subsided in the distance. There was no longer a passer-by, no longer a beast of the fields to be seen, colour and sound died away, all forms of life sank into slumber, into the serene stillness of nihility. Some fragments of an aqueduct were still to be seen at intervals on the right hand, where they looked like portions of gigantic millepeds severed by the scythe of time; next, on the left, came another tower, whose dark and ruined pile barred the sky as with a huge black stake; and then the remains of another aqueduct spanned the road, assuming yet greater dimensions against the sunset glow. Ah! that unique hour, the hour of twilight in the Campagna, when all is blotted out and simplified, the hour of bare immensity, of the infinite in its simplest expression! There is nothing, nothing all around you, but the flat line of the horizon with the one splotch of an isolated tower, and yet that nothing is instinct with sovereign majesty.

However, on the left, towards the sea, the sun was setting, descending in the limpid sky like a globe of fire of blinding redness. It slowly plunged beneath the horizon, and the only sign of cloud was some fiery vapour, as if indeed the distant sea had seethed at contact with that royal and flaming visit. And directly the sun had disappeared the heavens above it purpled and became a lake of blood, whilst the Campagna turned to grey. At the far end of the fading plain there remained only that purple lake whose brasier slowly died out behind the black arches of the aqueduct, while in the opposite direction the scattered arches remained bright and rosy against a pewter-like sky. Then the fiery vapour was dissipated, and the sunset ended by fading away. One by one the stars came out in the pacified vault, now of an ashen blue, while the lights of Rome, still far away on the verge of the horizon, scintillated like the lamps of light-houses.

And Prada, amidst the dreamy silence of his companions and the infinite melancholy of the evening and the inexpressible distress which even he experienced, continued to ask himself what course he should adopt. Again and again he mentally repeated that he could not allow people to be poisoned. The figs were certainly intended for Cardinal Boccanera, and on the whole it mattered little to him whether there were a cardinal the more or the fewer in the world. Moreover, it had always seemed to him best to let Destiny follow its course; and, infidel that he was, he saw no harm in one priest devouring another. Again, it might be dangerous for him to intervene in that abominable affair, to mix himself up in the base, fathomless intrigues of the black world. But on the other hand the Cardinal was not the only person who lived in the Boccanera mansion, and might not the figs go to others, might they not be eaten by people to whom no harm was intended? This idea of a treacherous chance haunted him, and in spite of every effort the figures of Benedetta and Dario rose up before him, returned and imposed themselves on him though he again and again sought to banish them from his mind. What if Benedetta, what if Dario should partake of that fruit? For Benedetta he felt no fear, for he knew that she and her aunt ate their meals by themselves, and that their cuisine and the Cardinal's had nothing in common. But Dario sat at his uncle's table every day, and for a moment Prada, pictured the young Prince suddenly seized with a spasm, then falling, like poor Monsignor Gallo, into the Cardinal's arms with livid face and receding eyes, and dying within two hours.

But no, no! That would be frightful, he could not suffer such an abomination. And thereupon he made up his mind. He would wait till the night had completely gathered round and would then simply take the basket from Santobono's lap and fling it into some dark hollow without saying a word. The priest would understand him. The other one, the young Frenchman, would perhaps not even notice the incident. Besides, that mattered little, for he would not even attempt to explain his action. And he felt quite calm again when the idea occurred to him to throw the basket away while the carriage passed through the Porta Furba, a couple of miles or so before reaching Rome. That would suit him exactly; in the darkness of the gateway nothing whatever would be seen.

"We stopped too long at that /osteria/," he suddenly exclaimed aloud, turning towards Pierre. "We sha'n't reach Rome much before six o'clock. Still you will have time to dress and join your friend." And then without awaiting the young man's reply he said to Santobono: "Your figs will arrive very late, Abbe."

"Oh!" answered the priest, "his Eminence receives until eight o'clock. And, besides, the figs are not for this evening. People don't eat figs in the evening. They will be for to-morrow morning." And thereupon he again relapsed into silence.

"For to-morrow morning--yes, yes, no doubt," repeated Prada. "And the Cardinal will be able to thoroughly regale himself if nobody helps him to eat the fruit."

Thereupon Pierre, without pausing to reflect, exclaimed: "He will no doubt eat it by himself, for his nephew, Prince Dario, must have started to-day for Naples on a little convalescence trip to rid himself of the effects of the accident which laid him up during the last month." Then, having got so far, the young priest remembered to whom he was speaking, and abruptly stopped short.

The Count noticed his embarrassment. "Oh! speak on, my dear Monsieur Froment," said he, "you don't offend me. It's an old affair now. So that young man has left, you say?"

"Yes, unless he has postponed his departure. However, I don't expect to find him at the palazzo when I get there."

For a moment the only sound was that of the continuous rumble of the wheels. Prada again felt worried, a prey to the discomfort of uncertainty. Why should he mix himself up in the affair if Dario were really absent? All the ideas which came to him tired his brain, and he ended by thinking aloud: "If he has gone away it must be for propriety's sake, so as to avoid attending the Buongiovanni reception, for the Congregation of the Council met this morning to give its decision in the suit which the Countess has brought against me. Yes, I shall know by and by whether our marriage is to be dissolved."

It was in a somewhat hoarse voice that he spoke these words, and one could realise that the old wound was again bleeding within him. Although Lisbeth had borne him a son, the charge levelled against him in his wife's petition for divorce still filled him with blind fury each time that he thought of it. And all at once he shuddered violently, as if an icy blast had darted through his frame. Then, turning the conversation, he added: "It's not at all warm this evening. This is the dangerous hour of the Roman climate, the twilight hour when it's easy to catch a terrible fever if one isn't prudent. Here, pull the rug over your legs, wrap it round you as carefully as you can."

Then, as they drew near the Porta Furba, silence again fell, more profound, like the slumber which was invincibly spreading over the Campagna, now steeped in night. And at last, in the bright starlight, appeared the gate, an arch of the Acqua Felice, under which the road passed. From a distance, this fragment seemed to bar the way with its mass of ancient half-fallen walls. But afterwards the gigantic arch where all was black opened like a gaping porch. And the carriage passed under it in darkness whilst the wheels rumbled with increased sonority.

When the victoria emerged on the other side, Santobono still had the little basket of figs upon his knees and Prada looked at it, quite overcome, asking himself what sudden paralysis of the hands had prevented him from seizing it and throwing it into the darkness. Such had still been his intention but a few seconds before they passed under the arch. He had even given the basket a final glance in order that he might the better realise what movements he should make. What had taken place within him then? At present he was yielding to increasing irresolution, henceforth incapable of decisive action, feeling a need of delay in order that he might, before everything else, fully satisfy himself as to what was likely to happen. And as Dario had doubtless gone away and the figs would certainly not be eaten until the following morning, what reason was there for him to hurry? He would know that evening if the Congregation of the Council had annulled his marriage, he would know how far the so-called "Justice of God" was venal and mendacious! Certainly he would suffer nobody to be poisoned, not even Cardinal Boccanera, though the latter's life was of little account to him personally. But had not that little basket, ever since leaving Frascati, been like Destiny on the march? And was it not enjoyment, the enjoyment of omnipotence, to be able to say to himself that he was the master who could stay that basket's course, or allow it to go onward and accomplish its deadly purpose? Moreover, he yielded to the dimmest of mental struggles, ceasing to reason, unable to raise his hand, and yet convinced that he would drop a warning note into the letter-box at the palazzo before he went to bed, though at the same time he felt happy in the thought that if his interest directed otherwise he would not do so.

And the remainder of the journey was accomplished in silent weariness, amidst the shiver of evening which seemed to have chilled all three men. In vain did the Count endeavour to escape from the battle of his thoughts, by reverting to the Buongiovanni reception, and giving particulars of the splendours which would be witnessed at it: his words fell sparsely in an embarrassed and absent-minded way. Then he sought to inspirit Pierre by speaking to him of Cardinal Sanguinetti's amiable manner and fair words, but although the young priest was returning home well pleased with his journey, in the idea that with a little help he might yet triumph, he scarcely answered the Count, so wrapt he was in his reverie. And Santobono, on his side, neither spoke nor moved. Black like the night itself, he seemed to have vanished. However, the lights of Rome were increasing in number, and houses again appeared on either hand, at first at long intervals, and then in close succession. They were suburban houses, and there were yet more fields of reeds, quickset hedges, olive-trees overtopping long walls, and big gateways with vase-surmounted pillars; but at last came the city with its rows of small grey houses, its petty shops and its dingy taverns, whence at times came shouts and rumours of battle.

Prada insisted on setting his companions down in the Via Giulia, at fifty paces from the palazzo. "It doesn't inconvenience me at all," said he to Pierre. "Besides, with the little time you have before you, it would never do for you to go on foot."

The Via Giulia was already steeped in slumber, and wore a melancholy aspect of abandonment in the dreary light of the gas lamps standing on either hand. And as soon as Santobono had alighted from the carriage, he took himself off without waiting for Pierre, who, moreover, always went in by the little door in the side lane.

"Good-bye, Abbe," exclaimed Prada.

"Good-bye, Count, a thousand thanks," was Santobono's response.

Then the two others stood watching him as he went towards the Boccanera mansion, whose old, monumental entrance, full of gloom, was still wide open. For a moment they saw his tall, rugged figure erect against that gloom. Then in he plunged, he and his little basket, bearing Destiny.

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The Three Cities Trilogy: Rome - Part 4 - Chapter 12 The Three Cities Trilogy: Rome - Part 4 - Chapter 12

The Three Cities Trilogy: Rome - Part 4 - Chapter 12
PART IV CHAPTER XIIIT was ten o'clock when Pierre and Narcisse, after dining at the Caffe di Roma they had long lingered chatting, at last walked down the Corso towards the Palazzo Buongiovanni. They had the greatest difficulty to reach its entrance, for carriages were coming up in serried files, and the inquisitive crowd of on-lookers, who pressed even into the roadway, in spite of the injunctions of the police, was growing so compact that even the horses could no longer approach. The ten lofty windows on the first floor of the long monumental facade shone with an intense white

The Three Cities Trilogy: Rome - Part 4 - Chapter 11 The Three Cities Trilogy: Rome - Part 4 - Chapter 11

The Three Cities Trilogy: Rome - Part 4 - Chapter 11
PART IV CHAPTER XIALTHOUGH Pierre knew that he would be unable to see Cardinal Sanguinetti before eleven o'clock, he nevertheless availed himself of an early train, so that it was barely nine when he alighted at the little station of Frascati. He had already visited the place during his enforced idleness, when he had made the classical excursion to the Roman castles which extend from Frascati to Rocco di Papa, and from Rocco di Papa to Monte Cavo, and he was now delighted with the prospect of strolling for a couple of hours along those first slopes of the Alban hills