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Full Online Book HomeLong StoriesThe Three Cities Trilogy: Rome - Part 1 - Chapter 2 (cont.)
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The Three Cities Trilogy: Rome - Part 1 - Chapter 2 (cont.) Post by :sparky Category :Long Stories Author :Emile Zola Date :May 2012 Read :626

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The Three Cities Trilogy: Rome - Part 1 - Chapter 2 (cont.)


When Abbe Pierre Froment all at once awoke from sleep, his head heavy with painful dreams, he was worried to find that the daylight was already waning. His watch, which he hastened to consult, pointed to six o'clock. Intending to rest for an hour at the utmost, he had slept on for nearly seven hours, overcome beyond power of resistance. And even on awaking he remained on the bed, helpless, as though he were conquered before he had fought. Why, he wondered, did he experience this prostration, this unreasonable discouragement, this quiver of doubt which had come he knew not whence during his sleep, and which was annihilating his youthful enthusiasm of the morning? Had the Boccaneras any connection with this sudden weakening of his powers? He had espied dim disquieting figures in the black night of his dreams; and the anguish which they had brought him continued, and he again evoked them, scared as he was at thus awaking in a strange room, full of uneasiness in presence of the unknown. Things no longer seemed natural to him. He could not understand why Benedetta should have written to Viscount Philibert de la Choue to tell him that his, Pierre's, book had been denounced to the Congregation of the Index. What interest too could she have had in his coming to Rome to defend himself; and with what object had she carried her amiability so far as to desire that he should take up his quarters in the mansion? Pierre's stupefaction indeed arose from his being there, on that bed in that strange room, in that palace whose deep, death-like silence encompassed him. As he lay there, his limbs still overpowered and his brain seemingly empty, a flash of light suddenly came to him, and he realised that there must be certain circumstances that he knew nothing of that, simple though things appeared, they must really hide some complicated intrigue. However, it was only a fugitive gleam of enlightenment; his suspicions faded; and he rose up shaking himself and accusing the gloomy twilight of being the sole cause of the shivering and the despondency of which he felt ashamed.

In order to bestir himself, Pierre began to examine the two rooms. They were furnished simply, almost meagrely, in mahogany, there being scarcely any two articles alike, though all dated from the beginning of the century. Neither the bed nor the windows nor the doors had any hangings. On the floor of bare tiles, coloured red and polished, there were merely some little foot-mats in front of the various seats. And at sight of this middle-class bareness and coldness Pierre ended by remembering a room where he had slept in childhood--a room at Versailles, at the abode of his grandmother, who had kept a little grocer's shop there in the days of Louis Philippe. However, he became interested in an old painting which hung in the bed-room, on the wall facing the bed, amidst some childish and valueless engravings. But partially discernible in the waning light, this painting represented a woman seated on some projecting stone-work, on the threshold of a great stern building, whence she seemed to have been driven forth. The folding doors of bronze had for ever closed behind her, yet she remained there in a mere drapery of white linen; whilst scattered articles of clothing, thrown forth chance-wise with a violent hand, lay upon the massive granite steps. Her feet were bare, her arms were bare, and her hands, distorted by bitter agony, were pressed to her face--a face which one saw not, veiled as it was by the tawny gold of her rippling, streaming hair. What nameless grief, what fearful shame, what hateful abandonment was thus being hidden by that rejected one, that lingering victim of love, of whose unknown story one might for ever dream with tortured heart? It could be divined that she was adorably young and beautiful in her wretchedness, in the shred of linen draped about her shoulders; but a mystery enveloped everything else--her passion, possibly her misfortune, perhaps even her transgression--unless, indeed, she were there merely as a symbol of all that shivers and that weeps visageless before the ever closed portals of the unknown. For a long time Pierre looked at her, and so intently that he at last imagined he could distinguish her profile, divine in its purity and expression of suffering. But this was only an illusion; the painting had greatly suffered, blackened by time and neglect; and he asked himself whose work it might be that it should move him so intensely. On the adjoining wall a picture of a Madonna, a bad copy of an eighteenth-century painting, irritated him by the banality of its smile.

Night was falling faster and faster, and, opening the sitting-room window, Pierre leant out. On the other bank of the Tiber facing him arose the Janiculum, the height whence he had gazed upon Rome that morning. But at this dim hour Rome was no longer the city of youth and dreamland soaring into the early sunshine. The night was raining down, grey and ashen; the horizon was becoming blurred, vague, and mournful. Yonder, to the left, beyond the sea of roofs, Pierre could still divine the presence of the Palatine; and yonder, to the right, there still arose the Dome of St. Peter's, now grey like slate against the leaden sky; whilst behind him the Quirinal, which he could not see, must also be fading away into the misty night. A few minutes went by, and everything became yet more blurred; he realised that Rome was fading, departing in its immensity of which he knew nothing. Then his causeless doubt and disquietude again came on him so painfully that he could no longer remain at the window. He closed it and sat down, letting the darkness submerge him with its flood of infinite sadness. And his despairing reverie only ceased when the door gently opened and the glow of a lamp enlivened the room.

It was Victorine who came in quietly, bringing the light. "Ah! so you are up, Monsieur l'Abbe," said she; "I came in at about four o'clock but I let you sleep on. You have done quite right to take all the rest you required."

Then, as he complained of pains and shivering, she became anxious. "Don't go catching their nasty fevers," she said. "It isn't at all healthy near their river, you know. Don Vigilio, his Eminence's secretary, is always having the fever, and I assure you that it isn't pleasant."

She accordingly advised him to remain upstairs and lie down again. She would excuse his absence to the Princess and the Contessina. And he ended by letting her do as she desired, for he was in no state to have any will of his own. By her advice he dined, partaking of some soup, a wing of a chicken, and some preserves, which Giaccomo, the big lackey, brought up to him. And the food did him a great deal of good; he felt so restored that he refused to go to bed, desiring, said he, to thank the ladies that very evening for their kindly hospitality. As Donna Serafina received on Mondays he would present himself before her.

"Very good," said Victorine approvingly. "As you are all right again it can do you no harm, it will even enliven you. The best thing will be for Don Vigilio to come for you at nine o'clock and accompany you. Wait for him here."

Pierre had just washed and put on the new cassock he had brought with him, when, at nine o'clock precisely, he heard a discreet knock at his door. A little priest came in, a man scarcely thirty years of age, but thin and debile of build, with a long, seared, saffron-coloured face. For two years past attacks of fever, coming on every day at the same hour, had been consuming him. Nevertheless, whenever he forgot to control the black eyes which lighted his yellow face, they shone out ardently with the glow of his fiery soul. He bowed, and then in fluent French introduced himself in this simple fashion: "Don Vigilio, Monsieur l'Abbe, who is entirely at your service. If you are willing, we will go down."

Pierre immediately followed him, expressing his thanks, and Don Vigilio, relapsing into silence, answered his remarks with a smile. Having descended the small staircase, they found themselves on the second floor, on the spacious landing of the grand staircase. And Pierre was surprised and saddened by the scanty illumination, which, as in some dingy lodging-house, was limited to a few gas-jets, placed far apart, their yellow splotches but faintly relieving the deep gloom of the lofty, endless corridors. All was gigantic and funereal. Even on the landing, where was the entrance to Donna Serafina's apartments, facing those occupied by her niece, nothing indicated that a reception was being held that evening. The door remained closed, not a sound came from the rooms, a death-like silence arose from the whole palace. And Don Vigilio did not even ring, but, after a fresh bow, discreetly turned the door-handle.

A single petroleum lamp, placed on a table, lighted the ante-room, a large apartment with bare fresco-painted walls, simulating hangings of red and gold, draped regularly all around in the antique fashion. A few men's overcoats and two ladies' mantles lay on the chairs, whilst a pier table was littered with hats, and a servant sat there dozing, with his back to the wall.

However, as Don Vigilio stepped aside to allow Pierre to enter a first reception-room, hung with red /brocatelle/, a room but dimly lighted and which he imagined to be empty, the young priest found himself face to face with an apparition in black, a woman whose features he could not at first distinguish. Fortunately he heard his companion say, with a low bow, "Contessina, I have the honour to present to you Monsieur l'Abbe Pierre Froment, who arrived from France this morning."

Then, for a moment, Pierre remained alone with Benedetta in that deserted /salon/, in the sleepy glimmer of two lace-veiled lamps. At present, however, a sound of voices came from a room beyond, a larger apartment whose doorway, with folding doors thrown wide open, described a parallelogram of brighter light.

The young woman at once showed herself very affable, with perfect simplicity of manner: "Ah! I am happy to see you, Monsieur l'Abbe. I was afraid that your indisposition might be serious. You are quite recovered now, are you not?"

Pierre listened to her, fascinated by her slow and rather thick voice, in which restrained passion seemed to mingle with much prudent good sense. And at last he saw her, with her hair so heavy and so dark, her skin so white, the whiteness of ivory. She had a round face, with somewhat full lips, a small refined nose, features as delicate as a child's. But it was especially her eyes that lived, immense eyes, whose infinite depths none could fathom. Was she slumbering? Was she dreaming? Did her motionless face conceal the ardent tension of a great saint and a great /amorosa/? So white, so young, and so calm, her every movement was harmonious, her appearance at once very staid, very noble, and very rhythmical. In her ears she wore two large pearls of matchless purity, pearls which had come from a famous necklace of her mother's, known throughout Rome.

Pierre apologised and thanked her. "You see me in confusion, madame," said he; "I should have liked to express to you this morning my gratitude for your great kindness."

He had hesitated to call her madame, remembering the plea brought forward in the suit for the dissolution of her marriage. But plainly enough everybody must call her madame. Moreover, her face had retained its calm and kindly expression.

"Consider yourself at home here, Monsieur l'Abbe," she responded, wishing to put him at his ease. "It is sufficient that our relative, Monsieur de la Choue, should be fond of you, and take interest in your work. I have, you know, much affection for him." Then her voice faltered slightly, for she realised that she ought to speak of the book, the one reason of Pierre's journey and her proffered hospitality. "Yes," she added, "the Viscount sent me your book. I read it and found it very beautiful. It disturbed me. But I am only an ignoramus, and certainly failed to understand everything in it. We must talk it over together; you will explain your ideas to me, won't you, Monsieur l'Abbe?"

In her large clear eyes, which did not know how to lie, Pierre then read the surprise and emotion of a child's soul when confronted by disquieting and undreamt-of problems. So it was not she who had become impassioned and had desired to have him near her that she might sustain him and assist his victory. Once again, and this time very keenly, he suspected a secret influence, a hidden hand which was directing everything towards some unknown goal. However, he was charmed by so much simplicity and frankness in so beautiful, young, and noble a creature; and he gave himself to her after the exchange of those few words, and was about to tell her that she might absolutely dispose of him, when he was interrupted by the advent of another woman, whose tall, slight figure, also clad in black, stood out strongly against the luminous background of the further reception-room as seen through the open doorway.

"Well, Benedetta, have you sent Giaccomo up to see?" asked the newcomer. "Don Vigilio has just come down and he is quite alone. It is improper."

"No, no, aunt. Monsieur l'Abbe is here," was the reply of Benedetta, hastening to introduce the young priest. "Monsieur l'Abbe Pierre Froment--The Princess Boccanera."

Ceremonious salutations were exchanged. The Princess must have been nearly sixty, but she laced herself so tightly that from behind one might have taken her for a young woman. This tight lacing, however, was her last coquetry. Her hair, though still plentiful, was quite white, her eyebrows alone remaining black in her long, wrinkled face, from which projected the large obstinate nose of the family. She had never been beautiful, and had remained a spinster, wounded to the heart by the selection of Count Brandini, who had preferred her younger sister, Ernesta. From that moment she had resolved to seek consolation and satisfaction in family pride alone, the hereditary pride of the great name which she bore. The Boccaneras had already supplied two Popes to the Church, and she hoped that before she died her brother would become the third. She had transformed herself into his housekeeper, as it were, remaining with him, watching over him, and advising him, managing all the household affairs herself, and accomplishing miracles in order to conceal the slow ruin which was bringing the ceilings about their heads. If every Monday for thirty years past she had continued receiving a few intimates, all of them folks of the Vatican, it was from high political considerations, so that her drawing-room might remain a meeting-place of the black world, a power and a threat.

And Pierre divined by her greeting that she deemed him of little account, petty foreign priest that he was, not even a prelate. This too again surprised him, again brought the puzzling question to the fore: Why had he been invited, what was expected of him in this society from which the humble were usually excluded? Knowing the Princess to be austerely devout, he at last fancied that she received him solely out of regard for her kinsman, the Viscount, for in her turn she only found these words of welcome: "We are so pleased to receive good news of Monsieur de la Choue! He brought us such a beautiful pilgrimage two years ago."

Passing the first through the doorway, she at last ushered the young priest into the adjoining reception-room. It was a spacious square apartment, hung with old yellow /brocatelle/ of a flowery Louis XIV pattern. The lofty ceiling was adorned with a very fine panelling, carved and coloured, with gilded roses in each compartment. The furniture, however, was of all sorts. There were some high mirrors, a couple of superb gilded pier tables, and a few handsome seventeenth-century arm-chairs; but all the rest was wretched. A heavy round table of first-empire style, which had come nobody knew whence, caught the eye with a medley of anomalous articles picked up at some bazaar, and a quantity of cheap photographs littered the costly marble tops of the pier tables. No interesting article of /virtu/ was to be seen. The old paintings on the walls were with two exceptions feebly executed. There was a delightful example of an unknown primitive master, a fourteenth-century Visitation, in which the Virgin had the stature and pure delicacy of a child of ten, whilst the Archangel, huge and superb, inundated her with a stream of dazzling, superhuman love; and in front of this hung an antique family portrait, depicting a very beautiful young girl in a turban, who was thought to be Cassia Boccanera, the /amorosa/ and avengeress who had flung herself into the Tiber with her brother Ercole and the corpse of her lover, Flavio Corradini. Four lamps threw a broad, peaceful glow over the faded room, and, like a melancholy sunset, tinged it with yellow. It looked grave and bare, with not even a flower in a vase to brighten it.

In a few words Donna Serafina at once introduced Pierre to the company; and in the silence, the pause which ensued in the conversation, he felt that every eye was fixed upon him as upon a promised and expected curiosity. There were altogether some ten persons present, among them being Dario, who stood talking with little Princess Celia Buongiovanni, whilst the elderly relative who had brought the latter sat whispering to a prelate, Monsignor Nani, in a dim corner. Pierre, however, had been particularly struck by the name of Consistorial-Advocate Morano, of whose position in the house Viscount de la Choue had thought proper to inform him in order to avert any unpleasant blunder. For thirty years past Morano had been Donna Serafina's /amico/. Their connection, formerly a guilty one, for the advocate had wife and children of his own, had in course of time, since he had been left a widower, become one of those /liaisons/ which tolerant people excuse and except. Both parties were extremely devout and had certainly assured themselves of all needful "indulgences." And thus Morano was there in the seat which he had always taken for a quarter of a century past, a seat beside the chimney-piece, though as yet the winter fire had not been lighted, and when Donna Serafina had discharged her duties as mistress of the house, she returned to her own place in front of him, on the other side of the chimney.

When Pierre in his turn had seated himself near Don Vigilio, who, silent and discreet, had already taken a chair, Dario resumed in a louder voice the story which he had been relating to Celia. Dario was a handsome man, of average height, slim and elegant. He wore a full beard, dark and carefully tended, and had the long face and pronounced nose of the Boccaneras, but the impoverishment of the family blood over a course of centuries had attenuated, softened as it were, any sharpness or undue prominence of feature.

"Oh! a beauty, an astounding beauty!" he repeated emphatically.

"Whose beauty?" asked Benedetta, approaching him.

Celia, who resembled the little Virgin of the primitive master hanging above her head, began to laugh. "Oh! Dario's speaking of a poor girl, a work-girl whom he met to-day," she explained.

Thereupon Dario had to begin his narrative again. It appeared that while passing along a narrow street near the Piazza Navona, he had perceived a tall, shapely girl of twenty, who was weeping and sobbing violently, prone upon a flight of steps. Touched particularly by her beauty, he had approached her and learnt that she had been working in the house outside which she was, a manufactory of wax beads, but that, slack times having come, the workshops had closed and she did not dare to return home, so fearful was the misery there. Amidst the downpour of her tears she raised such beautiful eyes to his that he ended by drawing some money from his pocket. But at this, crimson with confusion, she sprang to her feet, hiding her hands in the folds of her skirt, and refusing to take anything. She added, however, that he might follow her if it so pleased him, and give the money to her mother. And then she hurried off towards the Ponte St'. Angelo.*

* Bridge of St. Angelo.

"Yes, she was a beauty, a perfect beauty," repeated Dario with an air of ecstasy. "Taller than I, and slim though sturdy, with the bosom of a goddess. In fact, a real antique, a Venus of twenty, her chin rather bold, her mouth and nose of perfect form, and her eyes wonderfully pure and large! And she was bare-headed too, with nothing but a crown of heavy black hair, and a dazzling face, gilded, so to say, by the sun."

They had all begun to listen to him, enraptured, full of that passionate admiration for beauty which, in spite of every change, Rome still retains in her heart.

"Those beautiful girls of the people are becoming very rare," remarked Morano. "You might scour the Trastevere without finding any. However, this proves that there is at least one of them left."

"And what was your goddess's name?" asked Benedetta, smiling, amused and enraptured like the others.

"Pierina," replied Dario, also with a laugh.

"And what did you do with her?"

At this question the young man's excited face assumed an expression of discomfort and fear, like the face of a child on suddenly encountering some ugly creature amidst its play.

"Oh! don't talk of it," said he. "I felt very sorry afterwards. I saw such misery--enough to make one ill."

Yielding to his curiosity, it seemed, he had followed the girl across the Ponte St'. Angelo into the new district which was being built over the former castle meadows*; and there, on the first floor of an abandoned house which was already falling into ruins, though the plaster was scarcely dry, he had come upon a frightful spectacle which still stirred his heart: a whole family, father and mother, children, and an infirm old uncle, dying of hunger and rotting in filth! He selected the most dignified words he could think of to describe the scene, waving his hand the while with a gesture of fright, as if to ward off some horrible vision.

* The meadows around the Castle of St. Angelo. The district, now covered with buildings, is quite flat and was formerly greatly subject to floods. It is known as the Quartiere dei Prati.--Trans.

"At last," he concluded, "I ran away, and you may be sure that I shan't go back again."

A general wagging of heads ensued in the cold, irksome silence which fell upon the room. Then Morano summed up the matter in a few bitter words, in which he accused the despoilers, the men of the Quirinal, of being the sole cause of all the frightful misery of Rome. Were not people even talking of the approaching nomination of Deputy Sacco as Minister of Finances--Sacco, that intriguer who had engaged in all sorts of underhand practices? His appointment would be the climax of impudence; bankruptcy would speedily and infallibly ensue.

Meantime Benedetta, who had fixed her eyes on Pierre, with his book in her mind, alone murmured: "Poor people, how very sad! But why not go back to see them?"

Pierre, out of his element and absent-minded during the earlier moments, had been deeply stirred by the latter part of Dario's narrative. His thoughts reverted to his apostolate amidst the misery of Paris, and his heart was touched with compassion at being confronted by the story of such fearful sufferings on the very day of his arrival in Rome. Unwittingly, impulsively, he raised his voice, and said aloud: "Oh! we will go to see them together, madame; you will take me. These questions impassion me so much."

The attention of everybody was then again turned upon the young priest. The others questioned him, and he realised that they were all anxious about his first impressions, his opinion of their city and of themselves. He must not judge Rome by mere outward appearances, they said. What effect had the city produced on him? How had he found it, and what did he think of it? Thereupon he politely apologised for his inability to answer them. He had not yet gone out, said he, and had seen nothing. But this answer was of no avail; they pressed him all the more keenly, and he fully understood that their object was to gain him over to admiration and love. They advised him, adjured him not to yield to any fatal disillusion, but to persist and wait until Rome should have revealed to him her soul.

"How long do you expect to remain among us, Monsieur l'Abbe?" suddenly inquired a courteous voice, with a clear but gentle ring.

It was Monsignor Nani, who, seated in the gloom, thus raised his voice for the first time. On several occasions it had seemed to Pierre that the prelate's keen blue eyes were steadily fixed upon him, though all the while he pretended to be attentively listening to the drawling chatter of Celia's aunt. And before replying Pierre glanced at him. In his crimson-edged cassock, with a violet silk sash drawn tightly around his waist, Nani still looked young, although he was over fifty. His hair had remained blond, he had a straight refined nose, a mouth very firm yet very delicate of contour, and beautifully white teeth.

"Why, a fortnight or perhaps three weeks, Monsignor," replied Pierre.

The whole /salon/ protested. What, three weeks! It was his pretension to know Rome in three weeks! Why, six weeks, twelve months, ten years were required! The first impression was always a disastrous one, and a long sojourn was needed for a visitor to recover from it.

"Three weeks!" repeated Donna Serafina with her disdainful air. "Is it possible for people to study one another and get fond of one another in three weeks? Those who come back to us are those who have learned to know us."

Instead of launching into exclamations like the others, Nani had at first contented himself with smiling, and gently waving his shapely hand, which bespoke his aristocratic origin. Then, as Pierre modestly explained himself, saying that he had come to Rome to attend to certain matters and would leave again as soon as those matters should have been concluded, the prelate, still smiling, summed up the argument with the remark: "Oh! Monsieur l'Abbe will stay with us for more than three weeks; we shall have the happiness of his presence here for a long time, I hope."

These words, though spoken with quiet cordiality, strangely disturbed the young priest. What was known, what was meant? He leant towards Don Vigilio, who had remained near him, still and ever silent, and in a whisper inquired: "Who is Monsignor Nani?"

The secretary, however, did not at once reply. His feverish face became yet more livid. Then his ardent eyes glanced round to make sure that nobody was watching him, and in a breath he responded: "He is the Assessor of the Holy Office."*

* Otherwise the Inquisition.

This information sufficed, for Pierre was not ignorant of the fact that the assessor, who was present in silence at the meetings of the Holy Office, waited upon his Holiness every Wednesday evening after the sitting, to render him an account of the matters dealt with in the afternoon. This weekly audience, this hour spent with the Pope in a privacy which allowed of every subject being broached, gave the assessor an exceptional position, one of considerable power. Moreover the office led to the cardinalate; the only "rise" that could be given to the assessor was his promotion to the Sacred College.

Monsignor Nani, who seemed so perfectly frank and amiable, continued to look at the young priest with such an encouraging air that the latter felt obliged to go and occupy the seat beside him, which Celia's old aunt at last vacated. After all, was there not an omen of victory in meeting, on the very day of his arrival, a powerful prelate whose influence would perhaps open every door to him? He therefore felt very touched when Monsignor Nani, immediately after the first words, inquired in a tone of deep interest, "And so, my dear child, you have published a book?"

After this, gradually mastered by his enthusiasm and forgetting where he was, Pierre unbosomed himself, and recounted the birth and progress of his burning love amidst the sick and the humble, gave voice to his dream of a return to the olden Christian community, and triumphed with the rejuvenescence of Catholicism, developing into the one religion of the universal democracy. Little by little he again raised his voice, and silence fell around him in the stern, antique reception-room, every one lending ear to his words with increasing surprise, with a growing coldness of which he remained unconscious.

At last Nani gently interrupted him, still wearing his perpetual smile, the faint irony of which, however, had departed. "No doubt, no doubt, my dear child," he said, "it is very beautiful, oh! very beautiful, well worthy of the pure and noble imagination of a Christian. But what do you count on doing now?"

"I shall go straight to the Holy Father to defend myself," answered Pierre.

A light, restrained laugh went round, and Donna Serafina expressed the general opinion by exclaiming: "The Holy Father isn't seen as easily as that."

Pierre, however, was quite impassioned. "Well, for my part," he rejoined, "I hope I shall see him. Have I not expressed his views? Have I not defended his policy? Can he let my book be condemned when I believe that I have taken inspiration from all that is best in him?"

"No doubt, no doubt," Nani again hastily replied, as if he feared that the others might be too brusque with the young enthusiast. "The Holy Father has such a lofty mind. And of course it would be necessary to see him. Only, my dear child, you must not excite yourself so much; reflect a little; take your time." And, turning to Benedetta, he added, "Of course his Eminence has not seen Abbe Froment yet. It would be well, however, that he should receive him to-morrow morning to guide him with his wise counsel."

Cardinal Boccanera never attended his sister's Monday-evening receptions. Still, he was always there in the spirit, like some absent sovereign master.

"To tell the truth," replied the Contessina, hesitating, "I fear that my uncle does not share Monsieur l'Abbe's views."

Nani again smiled. "Exactly; he will tell him things which it is good he should hear."

Thereupon it was at once settled with Don Vigilio that the latter would put down the young priest's name for an audience on the following morning at ten o'clock.

However, at that moment a cardinal came in, clad in town costume--his sash and his stockings red, but his simar black, with a red edging and red buttons. It was Cardinal Sarno, a very old intimate of the Boccaneras; and whilst he apologised for arriving so late, through press of work, the company became silent and deferentially clustered round him. This was the first cardinal Pierre had seen, and he felt greatly disappointed, for the newcomer had none of the majesty, none of the fine port and presence to which he had looked forward. On the contrary, he was short and somewhat deformed, with the left shoulder higher than the right, and a worn, ashen face with lifeless eyes. To Pierre he looked like some old clerk of seventy, half stupefied by fifty years of office work, dulled and bent by incessantly leaning over his writing desk ever since his youth. And indeed that was Sarno's story. The puny child of a petty middle-class family, he had been educated at the Seminario Romano. Then later he had for ten years professed Canon Law at that same seminary, afterwards becoming one of the secretaries of the Congregation for the Propagation of the Faith. Finally, five and twenty years ago, he had been created a cardinal, and the jubilee of his cardinalate had recently been celebrated. Born in Rome, he had always lived there; he was the perfect type of the prelate who, through growing up in the shade of the Vatican, has become one of the masters of the world. Although he had never occupied any diplomatic post, he had rendered such important services to the Propaganda, by his methodical habits of work, that he had become president of one of the two commissions which furthered the interests of the Church in those vast countries of the west which are not yet Catholic. And thus, in the depths of his dim eyes, behind his low, dull-looking brow, the huge map of Christendom was stored away.

Nani himself had risen, full of covert respect for the unobtrusive but terrible man whose hand was everywhere, even in the most distant corners of the earth, although he had never left his office. As Nani knew, despite his apparent nullity, Sarno, with his slow, methodical, ably organised work of conquest, possessed sufficient power to set empires in confusion.

"Has your Eminence recovered from that cold which distressed us so much?" asked Nani.

"No, no, I still cough. There is a most malignant passage at the offices. I feel as cold as ice as soon as I leave my room."

From that moment Pierre felt quite little, virtually lost. He was not even introduced to the Cardinal. And yet he had to remain in the room for nearly another hour, looking around and observing. That antiquated world then seemed to him puerile, as though it had lapsed into a mournful second childhood. Under all the apparent haughtiness and proud reserve he could divine real timidity, unacknowledged distrust, born of great ignorance. If the conversation did not become general, it was because nobody dared to speak out frankly; and what he heard in the corners was simply so much childish chatter, the petty gossip of the week, the trivial echoes of sacristies and drawing-rooms. People saw but little of one another, and the slightest incidents assumed huge proportions. At last Pierre ended by feeling as though he were transported into some /salon/ of the time of Charles X, in one of the episcopal cities of the French provinces. No refreshments were served. Celia's old aunt secured possession of Cardinal Sarno; but, instead of replying to her, he simply wagged his head from time to time. Don Vigilio had not opened his mouth the whole evening. However, a conversation in a very low tone was started by Nani and Morano, to whom Donna Serafina listened, leaning forward and expressing her approval by slowly nodding her head. They were doubtless speaking of the dissolution of Benedetta's marriage, for they glanced at the young woman gravely from time to time. And in the centre of the spacious room, in the sleepy glow of the lamps, there was only the young people, Benedetta, Dario, and Celia who seemed to be at all alive, chattering in undertones and occasionally repressing a burst of laughter.

All at once Pierre was struck by the great resemblance between Benedetta and the portrait of Cassia hanging on the wall. Each displayed the same delicate youth, the same passionate mouth, the same large, unfathomable eyes, set in the same round, sensible, healthy-looking face. In each there was certainly the same upright soul, the same heart of flame. Then a recollection came to Pierre, that of a painting by Guido Reni, the adorable, candid head of Beatrice Cenci, which, at that moment and to his thinking, the portrait of Cassia closely resembled. This resemblance stirred him and he glanced at Benedetta with anxious sympathy, as if all the fierce fatality of race and country were about to fall on her. But no, it could not be; she looked so calm, so resolute, and so patient! Besides, ever since he had entered that room he had noticed none other than signs of gay fraternal tenderness between her and Dario, especially on her side, for her face ever retained the bright serenity of a love which may be openly confessed. At one moment, it is true, Dario in a joking way had caught hold of her hands and pressed them; but while he began to laugh rather nervously, with a brighter gleam darting from his eyes, she on her side, all composure, slowly freed her hands, as though theirs was but the play of old and affectionate friends. She loved him, though, it was visible, with her whole being and for her whole life.

At last when Dario, after stifling a slight yawn and glancing at his watch, had slipped off to join some friends who were playing cards at a lady's house, Benedetta and Celia sat down together on a sofa near Pierre; and the latter, without wishing to listen, overheard a few words of their confidential chat. The little Princess was the eldest daughter of Prince Matteo Buongiovanni, who was already the father of five children by an English wife, a Mortimer, to whom he was indebted for a dowry of two hundred thousand pounds. Indeed, the Buongiovannis were known as one of the few patrician families of Rome that were still rich, still erect among the ruins of the past, now crumbling on every side. They also numbered two popes among their forerunners, yet this had not prevented Prince Matteo from lending support to the Quirinal without quarrelling with the Vatican. Son of an American woman, no longer having the pure Roman blood in his veins, he was a more supple politician than other aristocrats, and was also, folks said, extremely grasping, struggling to be one of the last to retain the wealth and power of olden times, which he realised were condemned to death. Yet it was in his family, renowned for its superb pride and its continued magnificence, that a love romance had lately taken birth, a romance which was the subject of endless gossip: Celia had suddenly fallen in love with a young lieutenant to whom she had never spoken; her love was reciprocated, and the passionate attachment of the officer and the girl only found vent in the glances they exchanged on meeting each day during the usual drive through the Corso. Nevertheless Celia displayed a tenacious will, and after declaring to her father that she would never take any other husband, she was waiting, firm and resolute, in the certainty that she would ultimately secure the man of her choice. The worst of the affair was that the lieutenant, Attilio Sacco, happened to be the son of Deputy Sacco, a parvenu whom the black world looked down upon, as upon one sold to the Quirinal and ready to undertake the very dirtiest job.

"It was for me that Morano spoke just now," Celia murmured in Benedetta's ear. "Yes, yes, when he spoke so harshly of Attilio's father and that ministerial appointment which people are talking about. He wanted to give me a lesson."

The two girls had sworn eternal affection in their school-days, and Benedetta, the elder by five years, showed herself maternal. "And so," she said, "you've not become a whit more reasonable. You still think of that young man?"

"What! are you going to grieve me too, dear?" replied Celia. "I love Attilio and mean to have him. Yes, him and not another! I want him and I'll have him, because I love him and he loves me. It's simple enough."

Pierre glanced at her, thunderstruck. With her gentle virgin face she was like a candid, budding lily. A brow and a nose of blossom-like purity; a mouth all innocence with its lips closing over pearly teeth, and eyes like spring water, clear and fathomless. And not a quiver passed over her cheeks of satiny freshness, no sign, however faint, of anxiety or inquisitiveness appeared in her candid glance. Did she think? Did she know? Who could have answered? She was virginity personified with all its redoubtable mystery.

"Ah! my dear," resumed Benedetta, "don't begin my sad story over again. One doesn't succeed in marrying the Pope and the King."

All tranquillity, Celia responded: "But you didn't love Prada, whereas I love Attilio. Life lies in that: one must love."

These words, spoken so naturally by that ignorant child, disturbed Pierre to such a point that he felt tears rising to his eyes. Love! yes, therein lay the solution of every quarrel, the alliance between the nations, the reign of peace and joy throughout the world! However, Donna Serafina had now risen, shrewdly suspecting the nature of the conversation which was impassioning the two girls. And she gave Don Vigilio a glance, which the latter understood, for he came to tell Pierre in an undertone that it was time to retire. Eleven o'clock was striking, and Celia went off with her aunt. Advocate Morano, however, doubtless desired to retain Cardinal Sarno and Nani for a few moments in order that they might privately discuss some difficulty which had arisen in the divorce proceedings. On reaching the outer reception-room, Benedetta, after kissing Celia on both cheeks, took leave of Pierre with much good grace.

"In answering the Viscount to-morrow morning," said she, "I shall tell him how happy we are to have you with us, and for longer than you think. Don't forget to come down at ten o'clock to see my uncle, the Cardinal."

Having climbed to the third floor again, Pierre and Don Vigilio, each carrying a candlestick which the servant had handed to them, were about to part for the night, when the former could not refrain from asking the secretary a question which had been worrying him for hours: "Is Monsignor Nani a very influential personage?"

Don Vigilio again became quite scared, and simply replied by a gesture, opening his arms as if to embrace the world. Then his eyes flashed, and in his turn he seemed to yield to inquisitiveness. "You already knew him, didn't you?" he inquired.

"I? not at all!"

"Really! Well, he knows you very well. Last Monday I heard him speak of you in such precise terms that he seemed to be acquainted with the slightest particulars of your career and your character."

"Why, I never even heard his name before."

"Then he must have procured information."

Thereupon Don Vigilio bowed and entered his room; whilst Pierre, surprised to find his door open, saw Victorine come out with her calm active air.

"Ah! Monsieur l'Abbe, I wanted to make sure that you had everything you were likely to want. There are candles, water, sugar, and matches. And what do you take in the morning, please? Coffee? No, a cup of milk with a roll. Very good; at eight o'clock, eh? And now rest and sleep well. I was awfully afraid of ghosts during the first nights I spent in this old palace! But I never saw a trace of one. The fact is, when people are dead, they are too well pleased, and don't want to break their rest!"

Then off she went, and Pierre at last found himself alone, glad to be able to shake off the strain imposed on him, to free himself from the discomfort which he had felt in that reception-room, among those people who in his mind still mingled and vanished like shadows in the sleepy glow of the lamps. Ghosts, thought he, are the old dead ones of long ago whose distressed spirits return to love and suffer in the breasts of the living of to-day. And, despite his long afternoon rest, he had never felt so weary, so desirous of slumber, confused and foggy as was his mind, full of the fear that he had hitherto not understood things aright. When he began to undress, his astonishment at being in that room returned to him with such intensity that he almost fancied himself another person. What did all those people think of his book? Why had he been brought to this cold dwelling whose hostility he could divine? Was it for the purpose of helping him or conquering him? And again in the yellow glimmer, the dismal sunset of the drawing-room, he perceived Donna Serafina and Advocate Morano on either side of the chimney-piece, whilst behind the calm yet passionate visage of Benedetta appeared the smiling face of Monsignor Nani, with cunning eyes and lips bespeaking indomitable energy.

He went to bed, but soon got up again, stifling, feeling such a need of fresh, free air that he opened the window wide in order to lean out. But the night was black as ink, the darkness had submerged the horizon. A mist must have hidden the stars in the firmament; the vault above seemed opaque and heavy like lead; and yonder in front the houses of the Trastevere had long since been asleep. Not one of all their windows glittered; there was but a single gaslight shining, all alone and far away, like a lost spark. In vain did Pierre seek the Janiculum. In the depths of that ocean of nihility all sunk and vanished, Rome's four and twenty centuries, the ancient Palatine and the modern Quirinal, even the giant dome of St. Peter's, blotted out from the sky by the flood of gloom. And below him he could not see, he could not even hear the Tiber, the dead river flowing past the dead city.

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The Three Cities Trilogy: Rome - Part 2 - Chapter 4 (cont.) The Three Cities Trilogy: Rome - Part 2 - Chapter 4 (cont.)

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PART II CHAPTER IV (CONT.)Luigi Prada showed himself very amiable, at once talking of home with an intelligent passion like one who wished to make the city a great modern capital. He had seen Paris transformed by the Second Empire; he had seen Berlin enlarged and embellished after the German victories; and, according to him, if Rome did not follow the movement, if it did not become the inhabitable capital of a great people, it was threatened with prompt death: either a crumbling museum or a renovated, resuscitated city--those were the alternatives.* * Personally I should have thought the example of

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PART I CHAPTER IITHE Via Giulia, which runs in a straight line over a distance of five hundred yards from the Farnese palace to the church of St. John of the Florentines, was at that hour steeped in bright sunlight, the glow streaming from end to end and whitening the small square paving stones. The street had no footways, and the cab rolled along it almost to the farther extremity, passing the old grey sleepy and deserted residences whose large windows were barred with iron, while their deep porches revealed sombre courts resembling wells. Laid out by Pope Julius II, who