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Full Online Book HomeLong StoriesNapoleon The Little - Book 1 - Chapter 6. Portrait
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Napoleon The Little - Book 1 - Chapter 6. Portrait Post by :vbhnl Category :Long Stories Author :Victor Hugo Date :May 2012 Read :3392

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Napoleon The Little - Book 1 - Chapter 6. Portrait


Louis Bonaparte is a man of middle height, cold, pale, slow in his movements, having the air of a person not quite awake. He has published, as we have mentioned before, a moderately esteemed treatise on artillery, and is thought to be acquainted with the handling of cannon. He is a good horseman. He speaks drawlingly, with a slight German accent. His histrionic abilities were displayed at the Eglinton tournament. He has a heavy moustache, covering his smile, like that of the Duke of Alva, and a lifeless eye like that of Charles IX.

Judging him apart from what he calls his "necessary acts," or his "great deeds," he is a vulgar, commonplace personage, puerile, theatrical, and vain. Those persons who are invited to St. Cloud, in the summer, receive with the invitation an order to bring a morning toilette and an evening toilette. He loves finery, display, feathers, embroidery, tinsel and spangles, big words, and grand titles,--everything that makes a noise and glitter, all the glassware of power. In his capacity of cousin to the battle of Austerlitz, he dresses as a general. He cares little about being despised; he contents himself with the appearance of respect.

This man would tarnish the background of history; he absolutely sullies its foreground. Europe smiled when, glancing at Haiti, she saw this white Soulouque appear. But there is now in Europe, in every intelligent mind, abroad as at home, a profound stupor, a feeling, as it were, of personal insult; for the European continent, whether it will or no, is responsible for France, and whatever abases France humiliates Europe.

Before the 2nd of December, the leaders of the Right used freely to say of Louis Bonaparte: "_He is an idiot._" They were mistaken. To be sure that brain of his is awry, and has gaps in it, but one can discern here and there thoughts consecutive and concatenate. It is a book whence pages have been torn. Louis Napoleon has a fixed idea; but a fixed idea is not idiocy; he knows what he wants, and he goes straight to it; through justice, through law, through reason, through honour, through humanity, it may be, but straight on none the less.

He is not an idiot. He is a man of another age than our own. He seems absurd and mad, because he is out of his place and time. Transport him to Spain in the 16th century, and Philip II would recognise him; to England, and Henry VIII would smile on him; to Italy, and Caesar Borgia would jump on his neck. Or even, confine yourself to setting him outside the pale of European civilization,--place him, in 1817, at Janina, and Ali-Tepeleni would grasp him by the hand.

There is in him something of the Middle Ages, and of the Lower Empire. That which he does would have seemed perfectly simple and natural to Michael Ducas, to Romanus Diogenes, to Nicephorus Botoniates, to the Eunuch Narses, to the Vandal Stilico, to Mahomet II, to Alexander VI, to Ezzelino of Padua, as it seems perfectly simple and natural to himself. But he forgets, or knows not, that in the age wherein we live, his actions will have to traverse the great streams of human morality, set free by three centuries of literature and by the French Revolution; and that in this medium, his actions will wear their true aspect, and appear what they really are--hideous.

His partisans--he has some--complacently compare him with his uncle, the first Bonaparte. They say: "The one accomplished the 18th Brumaire, the other the 2nd of December: they are two ambitious men." The first Bonaparte aimed to reconstruct the Empire of the West, to make Europe his vassal, to dominate the continent by his power, and to dazzle it by his grandeur; to take an arm-chair himself, and give footstools to the kings; to cause history to say: "Nimrod, Cyrus, Alexander, Hannibal, Caesar, Charlemagne, Napoleon;" to be a master of the world. And so he was. It was for that that he accomplished the 18th Brumaire. This fellow would fain have horses and women, be called _Monseigneur_, and live luxuriously. It was for this that he accomplished the 2nd of December. Yes: they are both ambitious; the comparison is just.

Let us add, that, like the first Bonaparte, the second also aims to be emperor. But that which somewhat impairs the force of the comparison is, that there is perhaps, a slight difference between conquering an empire and pilfering it.

However this may be, that which is certain and which cannot be veiled, even by the dazzling curtain of glory and of misfortune on which are inscribed: Arcola, Lodi, the Pyramids, Eylau, Friedland, St. Helena--that which is certain, we repeat, is that the 18th Brumaire was a crime, of which the 2nd of December has aggravated the stain on the memory of Napoleon.

M. Louis Bonaparte does not object to have it whispered that he is a socialist. He feels that this gives him a sort of vague field which ambition may exploit. As we have already said, when he was in prison, he passed his time in acquiring a quasi-reputation as a democrat. One fact will describe him. When, being at Ham, he published his book "On the Extinction of Pauperism," a book having apparently for its sole and exclusive aim, to probe the wound of the poverty of the common people, and to suggest the remedy, he sent the book to one of his friends with this note, which we have ourselves seen: "Read this book on pauperism, and tell me if you think it is calculated _to do me good_."

The great talent of M. Louis Bonaparte is silence. Before the 2nd of December, he had a council of ministers who, being responsible, imagined that they were of some consequence. The President presided. Never, or scarcely ever, did he take part in their discussions. While MM. Odillon Barrot, Passy, Tocqueville, Dufaure, or Faucher were speaking, _he occupied himself_, says one of these ministers, _in constructing, with intense earnestness, paper dolls, or in drawing men's heads on the documents before him_.

To feign death, that is his art. He remains mute and motionless, looking in the opposite direction from his object, until the hour for action comes; then he turns his head, and leaps upon his prey. His policy appears to you abruptly, at some unexpected turning, pistol in hand, like a thief. Up to that point, there is the least possible movement. For one moment, in the course of the three years that have just passed, he was seen face to face with Changarnier, who also, on his part, had a scheme in view. "Ibant obscuri," as Virgil says. France observed, with a certain anxiety, these two men. What was in their minds? Did not the one dream of Cromwell, the other of Monk? Men asked one another these questions as they looked on the two men. In both of them, there was the same attitude of mystery, the same policy of immobility. Bonaparte said not a word, Changarnier made not a gesture; this one did not stir, that one did not breathe; they seemed to be playing the game of which should be the most statuesque.

This silence of his, Louis Bonaparte sometimes breaks; but then he does not speak, he lies. This man lies as other men breathe. He announces an honest intention; be on your guard: he makes an assertion, distrust him: he takes an oath, tremble.

Machiavel made small men; Louis Bonaparte is one of them.

To announce an enormity against which the world protests, to disavow it with indignation, to swear by all the gods, to declare himself an honest man,--and then, at the moment when people are reassured, and laugh at the enormity in question, to execute it. This was his course with respect to the _coup d'etat_, with respect to the decrees of proscription, with respect to the spoliation of the Princes of Orleans;--and so it will be with the invasion of Belgium, and of Switzerland, and with everything else. It is his way; you may think what you please of it; he employs it; he finds it effective; it is his affair. He will have to settle the matter with history.

You are of his familiar circle; he hints at a project, which seems to you, not immoral,--one does not scrutinize so closely,--but insane and dangerous, and dangerous to himself; you raise objections; he listens, makes no reply, sometimes gives way for a day or two, then resumes his project, and carries out his will.

There is in his table, in his office at the Elysee, a drawer, frequently half open. He takes thence a paper; reads it to a minister; it is a decree. The minister assents or dissents. If he dissents, Louis Bonaparte throws the paper back into the drawer, where there are many other papers, the dreams of an omnipotent man, shuts the drawer, takes out the key, and leaves the room without saying a word. The minister bows and retires, delighted with the deference which has been paid to his opinion. Next morning the decree is in the _Moniteur_.

Sometimes with the minister's signature.

Thanks to this _modus operandi_, he has always in his service the unforeseen, a mighty weapon, and encountering in himself no internal obstacle in that which is known to other men as conscience, he pursues his design, through no matter what, no matter how, and attains his goal.

He draws back sometimes, not before the moral effect of his acts, but before their material effect. The decrees of expulsion of eighty-four representatives of the people, published on January 6 in the _Moniteur_, revolted public sentiment. Fast bound as France was, the shudder was perceptible. The 2nd of December was not long past; there was danger in popular excitement. Louis Bonaparte understood this. Next day a second decree of expulsion was to have appeared, containing eight hundred names. Louis Bonaparte had the proof brought to him from the _Moniteur_; the list occupied fourteen columns of the official journal. He crumpled the proof, threw it into the fire, and the decree did not appear. The proscriptions proceeded without a decree.

In his enterprises, he needs aids and collaborators; he needs what he calls "men." Diogenes sought them with a lantern, he seeks them with a banknote in his hand. And finds them. There are certain sides of human nature which produce a particular species of persons, of whom he is the centre, and who group around him _ex necessitate_, in obedience to that mysterious law of gravitation which regulates the moral being no less than the cosmic atom. To undertake "the act of the 2nd of December,"--to execute it, and to complete it, he needed these men, and he had them. Now he is surrounded by them; these men form his retinue, his court, mingling their radiance with his. At certain epochs of history, there are pleiades of great men; at other epochs, there are pleiades of vagabonds.

But do not confound the epoch, the moment of Louis Bonaparte, with the 19th century: the toadstool sprouts at the foot of the oak, but it is not the oak.

M. Louis Bonaparte has succeeded. He has with him henceforth money, speculation, the Bourse, the Bank, the counting-room, the strong-box, and all those men who pass so readily from one side to the other, when all they have to straddle is shame. He made of M. Changarnier a dupe, of M. Thiers a stop-gap, of M. de Montalembert an accomplice, of power a cavern, of the budget his farm. They are coining at the Mint a medal, called the medal of the 2nd of December, in honour of the manner in which he keeps his oaths. The frigate _La Constitution has been debaptized, and is now called _L'Elysee_. He can, when he chooses, be crowned by M. Sibour,(1) and exchange the couch of the Elysee for the state bed of the Tuileries. Meanwhile, for the last seven months, he has been displaying himself; he has harangued, triumphed, presided at banquets, given balls, danced, reigned, turned himself about in all directions; he has paraded himself, in all his ugliness, in a box at the Opera; he has had himself dubbed Prince-President; he has distributed standards to the army, and crosses of honour to the commissioners of police. When there was occasion to select a symbol, he effaced himself and chose the eagle; modesty of a sparrow-hawk!

(1) The Archbishop of Paris.

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