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Full Online Book HomeEssaysEdinburgh Picturesque Notes - Chapter VII. THE VILLA QUARTERS
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Edinburgh Picturesque Notes - Chapter VII. THE VILLA QUARTERS Post by :wadeindia Category :Essays Author :Robert Louis Stevenson Date :April 2012 Read :2357

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Edinburgh Picturesque Notes - Chapter VII. THE VILLA QUARTERS

Mr. Ruskin's denunciation of the New Town of Edinburgh includes, as I have heard it repeated, nearly all the stone and lime we have to show. Many, however, find a grand air and something settled and imposing in the better parts; and upon many, as I have said, the confusion of styles induces an agreeable stimulation of the mind. But upon the subject of our recent villa architecture, I am frankly ready to mingle my tears with Mr. Ruskin's, and it is a subject which makes one envious of his large declamatory and controversial eloquence.

Day by day, one new villa, one new object of offence, is added to another; all around Newington and Morningside, the dismalest structures keep springing up like mushrooms; the pleasant hills are loaded with them, each impudently squatted in its garden, each roofed and carrying chimneys like a house. And yet a glance of an eye discovers their true character. They are not houses; for they were not designed with a view to human habitation, and the internal arrangements are, as they tell me, fantastically unsuited to the needs of man. They are not buildings; for you can scarcely say a thing is built where every measurement is in clamant disproportion with its neighbour. They belong to no style to art, only to a form of business much to be regretted.

Why should it be cheaper to erect a structure where the size of the windows bears no rational relation to the size of the front? Is there any profit in a misplaced chimney-stalk? Does a hard-working, greedy builder gain more on a monstrosity than on a decent cottage of equal plainness? Frankly, we should say, No. Bricks may be omitted, and green timber employed, in the construction of even a very elegant design; and there is no reason why a chimney should be made to vent, because it is so situated as to look comely from without. On the other hand, there is a noble way of being ugly: a high-aspiring fiasco like the fall of Lucifer. There are daring and gaudy buildings that manage to be offensive, without being contemptible; and we know that "fools rush in where angels fear to tread." But to aim at making a commonplace villa, and to make it insufferably ugly in each particular; to attempt the homeliest achievement and to attain the bottom of derided failure; not to have any theory but profit, and yet, at an equal expense, to outstrip all competitors in the art of conceiving and rendering permanent deformity; and to do this in what is, by nature, one of the most agreeable neighbourhoods in Britain:--what are we to say, but that this also is a distinction, hard to earn although not greatly worshipful?

Indifferent buildings give pain to the sensitive; but these things offend the plainest taste. It is a danger which threatens the amenity of the town; and as this eruption keeps spreading on our borders, we have ever the farther to walk among unpleasant sights, before we gain the country air. If the population of Edinburgh were a living, autonomous body, it would arise like one man and make night hideous with arson; the builders and their accomplices would be driven to work, like the Jews of yore, with the trowel in one hand and the defensive cutlass in the other; and as soon as one of these masonic wonders had been consummated, right-minded iconoclasts should fall thereon and make an end of it at once.

Possibly these words may meet the eye of a builder or two. It is no use asking them to employ an architect; for that would be to touch them in a delicate quarter, and its use would largely depend on what architect they were minded to call in. But let them get any architect in the world to point out any reasonably well-proportioned villa not his own design; and let them reproduce that model to satiety.

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Edinburgh Picturesque Notes - Chapter VIII. THE CALTON HILL Edinburgh Picturesque Notes - Chapter VIII. THE CALTON HILL

Edinburgh Picturesque Notes - Chapter VIII. THE CALTON HILL
The east of New Edinburgh is guarded by a craggy hill, of no great elevation, which the town embraces. The old London road runs on one side of it; while the New Approach, leaving it on the other hand, completes the circuit. You mount by stairs in a cutting of the rock to find yourself in a field of monuments. Dugald Stewart has the honours of situation and architecture; Burns is memorialized lower down upon a spur; Lord Nelson, as befits a sailor, gives his name to the top-gallant of the Calton Hill. This latter erection has been differently and yet,

Edinburgh Picturesque Notes - Chapter VI. NEW TOWN: TOWN AND COUNTRY Edinburgh Picturesque Notes - Chapter VI. NEW TOWN: TOWN AND COUNTRY

Edinburgh Picturesque Notes - Chapter VI. NEW TOWN: TOWN AND COUNTRY
It is as much a matter of course to decry the New Town as to exalt the Old; and the most celebrated authorities have picked out this quarter as the very emblem of what is condemnable in architecture. Much may be said, much indeed has been said, upon the text; but to the unsophisticated, who call anything pleasing if it only pleases them, the New Town of Edinburgh seems, in itself, not only gay and airy, but highly picturesque. An old skipper, invincibly ignorant of all theories of the sublime and beautiful, once propounded as his most radiant notion for Paradise: